Tuesday 27 February 2018 at 8:30pm


MAGGIE COLE, harpsichord

The second “rendez-vous” with these prestigious guests is an all JS Bach evening. The refined harpsichordist Maggie Cole interprets with Steven Isserlis the Cello Sonata No. 2, portraying Bach at his best. The Brandenburg Concerto, one of Bach’s most popular pieces, is played by Britain’s greatest cellist, Steven Isserlis.

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BACH, Johann Sebastian (1685 – 1750)
• Suite Nr.1 in C major BWV 1066
• Cello suite N.5 in C minorl BWV1011
• Sonate Nr. 2 in D major BWV 1028 for cello and harpsichord
• Brandenburg Concerto No. 3 in G major BWV 1048


Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a distinguished career as a soloist, chamber musician, educator, author and broadcaster.

As a concerto soloist he appears regularly with the world’s leading orchestras and conductors, recent engagements including performances with the Berlin Philharmonic, Budapest Festival, Philharmonia, Cleveland, Minnesota, Zurich Tonhalle and NHK Symphony Orchestras. He gives recitals every season in major musical centres, working with pianists such as Jeremy Denk, Kirill Gerstein, Stephen Hough, Alexander Melnikov, Olli Mustonen, Mikhail Pletnev, Sir Andras Schiff, Connie Shih, Ferenc Rados and Dénes Várjon; and plays with many of the world’s leading chamber orchestras, including period-instrument ensembles. Unusually, he also directs chamber orchestras from the cello, in classical programmes.

Highlights of the 15/16 season include a survey of the complete Bach Cello Suites at the Wigmore Hall and elsewhere; recital programmes with Ian Bostridge, Stephen Hough, Robert Levin and Richard Egarr; a special recital with Sir Andras Schiff at the Beethovenhaus in Bonn performed on fortepiano and Beethoven’s own cello (which was last played in public more than 50 years ago); his appointment as Guest Artistic Leader of the Norwegian Chamber Orchestra; a major European tour with the Academy of St Martin-in-the-Fields and Joshua Bell; and the world premiere of the orchestral version of Thomas Adès’s Lieux retrouvés in Lucerne, with the composer himself conducting.

As a chamber musician he has curated series for many of the world’s most famous festivals and venues, including the Wigmore Hall, the 92nd St Y in New York, and the festivals of Salzburg and Verbier. These specially devised programmes have included ‘In the Shadow of War’, a major four-part series for the Wigmore Hall to mark the centenary of the First World War and the 75th anniversary of the Second World War; explorations of Czech music; the teacher-pupil line of Saint-Saens, Faure and Ravel; the affinity of the cello and the human voice; varied aspects of Robert Schumann’s life and music; and the music of Serge Taneyev (teacher of Steven’s grandfather, Julius Isserlis).  For these concerts Steven is joined by a regular group of friends who include the violinists Joshua Bell, Pamela Frank and Isabelle Faust, violist Tabea Zimmermann, and clarinettist Michael Collins.

He takes a strong interest in authentic performance, and in addition to working with many of the foremost period instrument orchestras he frequently gives recitals with harpsichord and fortepiano. Together with Robert Levin, and using original or replica pianos from the early nineteenth century, he has performed and recorded Beethoven’s complete music for cello and piano; and with Richard Egarr he has performed and recorded the viola da gamba sonatas of J.S. Bach as well as sonatas by Handel and Scarlatti.

He is also a keen exponent of contemporary music and has premiered many new works, including John Tavener’s The Protecting Veil (as well as several other pieces by Tavener), Thomas Adès’s Lieux retrouvés, Stephen Hough’s Sonata for Cello and Piano, Left Hand (Les Adieux), Wolfgang Rihm’s Concerto in One Movement, David Matthews’ Concerto in Azzurro, works for cello and piano by Olli Mustonen, and For Steven by György Kurtág.

Writing and playing for children is another major interest. Steven Isserlis’ books for children about the lives of the great composers – Why Beethoven Threw the Stew and its sequel, Why Handel Waggled his Wig – are published by Faber and Faber. He has also written the text for three musical stories for children – Little Red Violin, Goldiepegs and the Three Cellos and Cindercella – with music by Oscar-winning composer Anne Dudley; these are published by Universal Edition in Vienna. He has also given many concerts for children, for several years presenting a regular series at the 92nd Street Y in New York.  As an educator Steven Isserlis gives frequent masterclasses all around the world, and for the past eighteen years he has been Artistic Director of the International Musicians’ Seminar at Prussia Cove in Cornwall, where his fellow-professors include Sir Andras Schiff, Thomas Adès and Ferenc Rados.  As a writer and broadcaster he contributes regularly to publications including Gramophone, The Daily Telegraph and The Guardian, has guest edited The Strad magazine, and makes regular appearances on BBC Radio including on the Today programme, on Soul Music, as guest presenter of two editions of Saturday Classics, and as writer and presenter of a documentary about the life of Robert Schumann.

His diverse interests are reflected in an extensive and award-winning discography. His recording of the complete Solo Cello Suites by J.S. Bach for Hyperion met with the highest critical acclaim, and was Gramophone’s Instrumental Disc of the Year and Critic’s Choice at the Classical Brits. Other recent releases include Prokofiev and Shostakovich concertos with the Frankfurt Radio Symphony and Paavo Järvi; Dvorak Cello Concertos with the Mahler Chamber Orchestra and Daniel Harding; the complete works for cello by Beethoven with Robert Levin on fortepiano, selected for the Deutsche SchallplattenPreis; and recital discs with Richard Egarr, Stephen Hough, Thomas Adès and (for BIS) a Grammy-nominated album of sonatas by Martinů with Olli Mustonen.  Future releases for Hyperion include the Elgar and Walton concertos, alongside works by Gustav and Imogen Holst, with the Philharmonia Orchestra and Paavo Järvi.

The recipient of many awards, Steven Isserlis’s honours include a CBE in recognition of his services to music, and the Schumann Prize of the City of Zwickau. He is also one of only two living cellists featured in Gramophone’s Hall of Fame.

He gives most of his concerts on the Marquis de Corberon (Nelsova) Stradivarius of 1726, kindly loaned to him by the Royal Academy of Music.

MAGGIE COLE, Harpsichord

American born but resident in the UK for many years, Maggie Cole enjoys an international musical life playing and recording as soloist and in chamber music on harpsichord, fortepiano and modern piano. Best known for her performances of Bach and the spectrum of 17th and 18th century harpsichord composers, she has also devoted herself to 20th and 21st century harpsichord repertoire including the concerti by de Falla and Poulenc and solo works by Andriessen, Ligeti and Gavin Bryars. Maggie performs on fortepiano with Trio Goya (violionist, Kati Debretzeni and cellist, Sebastian Comberti), and with singers, Julia Doyle and Michael Chance. She also performs with the Nash Ensemble, Britten Sinfonia and the Sarasa Ensemble, a Cambridge USA-based collective of musicians. With Sarasa she has been able to extend her love of teaching to the development of a program which brings music, improvisation and poetry into facilities for youth offenders.
Maggie’s many recordings include Bach’s Goldberg Variations, sonatas by Domenico Scarlatti and Antonio Soler, Boccherini Sonatas with Steven Isserlis, Bach flute sonatas with Philippa Davies and “The Heart of Invention”, a CD of Haydn trios made with Trio Goya. Her recording of Beethoven trios is due to come out in April 2018.
Maggie teaches all three keyboard instruments from her home and is professor of fortepiano at the Guildhall School of Music and Drama.


The Luzerner Sinfonieorchester is the orchestra-in-residence of the renowned KKL Luzern. As Switzerland’s oldest symphony orchestra, it has gained an international standing that extends far beyond its home territory. Strongly anchored in Lucerne, a city with a worldwide reputation for music, the orchestra offers a number of annual concert cycles and organizes the Zaubersee Festival – Russian Music Lucerne. It also acts as the opera orchestra of the Lucerne Theatre. In the 2011/12 season, James Gaffigan was appointed Chief Conductor of the orchestra. His contract was extended early in 2015 until 2022. With the formation of the private foundation Stiftung für das Luzerner Sinfonieorchester in 2007/08, the orchestra expanded by 20 musicians to its current size of 70 players.
Leading conductors such as former chief conductor Jonathan Nott, Pinchas Steinberg, Sir Neville Marriner, Leonard Slatkin, Matthias Bamert, Lawrence Foster, Andrey Boreyko, Peter Eötvös, Andris Nelsons, Vasily Petrenko, Marco Armiliato, Hannu Lintu and Domingo Hindoyan are regularly invited. The orchestra’s concerts have long featured soloists of international renown – these include Renaud Capuçon, Isabelle Faust, Kirill Gerstein, Vadim Gluzman, Hilary Hahn, Gidon Kremer, Vilde Frang, Martha Argerich, Nelson Freire, Maria João Pires, Fazil Say, Steven Isserlis, Gautier Capuçon, Truls Mørk and Hélène Grimaud.
The Luzerner Sinfonieorchester was founded in 1805/06. As a dynamic ensemble with a 200-year history, it understands how to mediate successfully and creatively between tradition and innovation.
It attacks the classical-romantic repertoire with unabashed curiosity; its focus on individual composers gives rise to creative cycles of their works, deepening audience appreciation of the music.
In addition, the orchestra takes every opportunity to highlight rarities in the repertoire, broadening the horizons of its eager audiences and embracing music of a contemporary character. The orchestra has long been a champion of modern music, commissioning work from composers such as Sofia Gubaidulina, Rodion Shchedrin, Fazil Say, Thomas Adès and Marc-André Dalbavie. A four-part cycle of premieres featuring work by Wolfgang Rihm received a great deal of attention in the 2011/12 season. Through programs like Rising Stars, Lunch Concerts, the Arthur Waser Award, and the Art Mentor Foundation Lucerne Award for Young Composers the Luzerner Sinfonieorchester advocates for young artists.
The orchestra, in recent years, has been invited to perform at the Concertgebouw, Amsterdam; the Grosse Festspielhaus, Salzburg; the Shostakovich Philharmonia, St. Petersburg; the Théâtre des Champs-Élysées, Paris; the Suntory Hall, Tokyo; the Barbican Hall, London; and the Tchaikovsky Hall, Moscow. In the 2016/17 season the orchestra played at the third Bogotá International Music Festival and in Bologna. Following a tour of Japan in 2008 and a tour of China in 2011, the orchestra embarked on its third Asian tour in 2016, including debuts in important concert halls in China, South Korea, Singapore and India. Previous tours took the orchestra to South America, Israel and Spain.
The orchestra’s international profile is reflected in its recordings: most recently it has recorded a CD for BIS Records with Brahms’ violin concerto with Vadim Gluzman (April 2017). Other recorings include an album with works by Saint-Saëns (2016), Dutilleux’s tout un monde lointain (2015), Dvořák’s Symphony No. 6 and the American Suite (2014) and Wolfgang Rihm’s symphony Nähe fern (2013) for the French label harmonia mundi. The Orchestra has recorded a DVD of works by Shchedrin, Dvořák, Franck and Shostakovich for the German Accentus Music label as well as CDs.
It has recorded CDs for Naïve Classique, Kairos and Sony Classical.