Friday 8 March 2019 at 8.30pm



The Mexican tenor Javier Camarena is the preeminent Mozart and Bel Canto specialist of his generation. Praised for his burnished tone, gleaming high notes, flawless coloratura, he regularly appears in leading roles at the world’s top opera houses.
After a thunderous ovation, the dazzling tenor was recently compelled for the second time to sing a rare encore at the Metropolitan Opera, where encores are simply not allowed. This honour has only been awarded so far to Luciano Pavarotti and Juan Diego Flórez.

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Manuel García (1775- 1832)
El gitano por amor “Hernando desventurado… Cara gitana del alma mía…”
La mort du Tasse “Mais que vois je?… Vous dont l’image…”

Gioachino Rossini (1792- 1868)
Il barbiere di Siviglia “Ecco ridente in cielo…”
La Cenerentola “Si, ritrovarla io giuro!”

Niccolò Zingarelli (1752- 1837)
Giulietta e Romeo “Più dubitar mi fan questi suoi detti… La dai regni dell’ombre…”

Gioachino Rossini (1792- 1868)
Ricciardo e Zoraide “S’ella m’è ognor fedele… Qual sarà mai la gioia…”
L’italiana in Algeri “O come il cor di giubilo…”
Guglielmo Tell “O muto asil del pianto… Corriam! Voliam!”

Javier Camarena, Tenor

“His good-sized voice is of uncommon beauty from bottom to top; the middle of the voice in particular is virile and darkish in color, but with a burnished glow… recitatives, subito pianos, long diminuendos on high notes, tasteful rubatos, cadenzas and variations that are born out of the drama…”

Mexican tenor Javier Camarena is the preeminent Mozart and bel canto specialist of his generation. Praised for his burnished tone, gleaming high notes, flawless coloratura and veracious portrayals, he regularly appears in leading roles alongside today’s foremost stars at the world’s top opera houses, and was the face of Opera News’s 80th anniversary edition this past January. As Ernesto in Donizetti’s Don Pasquale, he became only the second singer in Metropolitan Opera history to perform encores in multiple productions at the house, after the audience demanded a repeat of his aria “E se fia che ad altro oggetto.” This followed his triumph in 2014, when he joined the ranks of Luciano Pavarotti and Juan Diego Flórez to become only the third singer in 70 years to give an encore on the New York stage, having he stopped the house in consecutive performances of Prince Ramiro’s aria “Si ritrovarla io guiro” in Rossini’s La Cenerentola. Camarena went on to repeat the same feat in La fille du régiment at Madrid’s Teatro Real, marking only the second time that a singer had given an encore there since its reopening.

“The Mexican tenor Javier Camarena confirmed his reputation as opera’s new superstar with a scintillating performance at the Royal Opera House.”

– William Hartston, Express

Javier Camarena starts off his 2018-19 Season at the Gran Teatro del Liceu as Arturo Talbo in I puritani before returning to the New York MET for Les pêcheurs de perles – which he also sings in Bilbao later that season –  and La fille du regiment. At the Opéra National de Paris he sings Ernesto (Don Pasquale) and stars at the Bavarian State Opera in Lucia di Lammermoor, having been highly acclaimed after his role debut at Teatro Real in June 2018. He ends the season at the Royal Opera House with La fille du regiment.

Camarena continues his run of recitals with Ángel Rodríguez in great houses such as the Zurich Opera House or the Dallas Opera and performs on the concert stage in major cities in Spain and Mexico, as well as in New York and Paris.

In 2017-18 Javier Camarena sang his debut at the LA Opera as Nadir in Bizet’s Les pêcheurs de perles, followed by his role debut as Fernando (La Favorite) and as Edgardo (Lucia di Lammermoor) at Madrid’s Teatro Real. He then returned to the Metropolitan Opera for his role debut as Idreno in Rossini’s Semiramide. 2016-17 also brought a number of key firsts: Camarena launched the season with his house debut at London’s Royal Opera House, singing Almaviva in Il barbiere di Siviglia, before reprising the Rossini role at the MET and Zurich Opera. At Barcelona’s Gran Teatre del Liceu, he gave his first performances as the Duke of Mantua in Verdi’s Rigoletto. He made his house debut at Spain’s Opera Bilbao as Don Ramiro, and made further house role debuts as Lord Arturo Talbo in Bellini’s I puritani at the MET and in Andreas Homoki’s production for the Zurich Opera. While in Zurich, he gave his recital debut on the house’s main stage, where recital partner Ángel Rodríguez joined him for a pairing of Donizetti and Rossini arias with Mexican song.

Past seasons saw his homecoming at Mexico City’s Palacio de Bellas Artes, for his role debut as Talbo in a new production of I puritani, he made headlines, selling out all five performances. At the Zurich Opera, he gave his first performances as the Conte di Libenskof in a new staging of Rossini’s Il viaggio a Reims, and reprised both his star turn as Ernesto and his portrayal of Fenton in the company’s season-opening production of Verdi’s Falstaff. He sang Almaviva and returned to the Bavarian State Opera and Vienna State Opera, where his appearance in a new treatment of Il barbiere di Siviglia streamed live to audiences around the world. With a program of Beethoven, Liszt and Tosti, he made recital debuts at Chicago’s Harris Theater and Washington’s Kennedy Center in company with Ángel Rodríguez, who also joined him for the prestigious Rosenblatt Recital Series at London’s Wigmore Hall.

It was at the Palacio de Bellas Artes in Mexico City that Camarena made his professional debut, as Tonio in a 2004 staging of La fille du régiment, and he has since returned to the house for three further productions. In 2007, he joined the ensemble of the Zurich Opera, where he has appeared in a full 15 productions to date. Four years later, he made his debut at the Metropolitan Opera as Rossini’s Almaviva, which is one of the signature roles for which he is best known; others include the same composer’s Don Ramiro and Comte Ory; Mozart’s Belmonte and Ferrando; Donizetti’s Nemorino and Arturo; Verdi’s Fenton; and Bellini’s Elvino. Equally celebrated for appearances at San Francisco Opera, Paris Opera, Barcelona’s Gran Teatre del Liceu, Dresden’s Semperoper and the Vienna and Bavarian State Operas, the tenor has collaborated with such eminent conductors as the late Claudio Abbado, Marco Armiliato, Maurizio Benini, Bruno Campanella, Giuseppe Finzi, Daniele Gatti, Fabio Luisi, Zubin Mehta, Evelino Pidò and Franz Welser-Möst.

Camarena’s discography includes three solo titles for Sony: Recitales (2014), a live recording of arias by Rossini, Scarlatti, and Donizetti with songs by Mexico’s Agustín Lara, María Grever, and others; Serenata (2015), a collection of songs by Lara and his compatriots; and a Latin pop album titled Javier Camarena Canta a Cri Cri (2016).

In August 2018 Decca released his highly anticipated and acclaimed Album “Contrabandista”, which features rarely sung repertoire by Manuel Garcia, as well as works by Rossini and Zingarelli, and is a special project in cooperation with Cecilia Bartoli.

Camarena appears on numerous operatic DVD/Blu-ray releases, captured live at Europe’s leading opera houses. Filmed at the Zurich Opera are Mozart’s Così fan tutte (EuroArts, 2010), Verdi’s Falstaff (C Major, Unitel Classica, 2012), and, with Cecilia Bartoli, Rossini’s Le Comte Ory (Decca, 2014) and Otello (Decca, 2014). Captured at the Salzburg Festival are Mozart’s Die Entführung aus dem Serail (Arthaus Musik, 2014) and Verdi’s Falstaff, with Zubin Mehta leading the Vienna Philharmonic (EuroArts, 2014), and from Opéra Bastille comes Bellini’s La somnambula, starring Natalie Dessay (France Télévisions, 2010). The tenor may also be heard on live concert recordings of Gounod’s La Colombe, with Mark Elder conducting the Hallé (Opera Rara, 2015) and of Schubert and Mozart masses under Claudio Abbado’s leadership at the Salzburg Festival (Accentus, 2013).

Born in Xalapa in Mexico’s State of Veracruz, Javier Camarena studied with mezzo-soprano Cecilia Perfecto at the Universidad Veracruzana before completing his musical studies with honors under Hugo Barreiro and Maria Eugenia Sutti at the University of Guanajuato. In 2004, he took first prize in Mexico’s Carlo Morelli National Singing Competition, and the following year he won the Juan Oncinas Award at Barcelona’s Francisco Viñas Competition, after which he was invited to join Zurich’s International Opera Studio under the mentorship of fellow tenor Francisco Araiza. From 2013 to 2016, Lideres Mexicanos included Camarena in their list of Mexico’s most prominent leaders, and in the 2014-15 season, Quién magazine named him as one of 50 leaders transforming the nation. Married with children, he lives in Zurich, where his hobbies include cooking, movie-going, video-gaming, and sightseeing.

Angel Rodriguez, Piano

Of Cuban origin and based in Mexico, the pianist and composer began his musical studies at age five and complements his piano training with maestro Gonzalo Gutiérrez, orchestra conducting with maestro Gonzalo Romeu, and vocal repertoire with maestro Enrique Jaso.

For more than five decades of career he has been a pianist of notable figures of international lyric, such as Ramón Vargas, Rolando Villazón, Javier Camarena, Joseph Calleja, Nathalie Manfrino, Franco Vassallo, Ailyn Pérez, Alfredo Daza, Eglise Gutiérrez, Fernando de la Mora , Kate Lindsey, Rosario Andrade, Timothy Robert Blevins, Rebeca Olvera, Arturo Chacón, María Katzarava, Carlos Almaguer, José Bross, Dario Solari, among many others; in important venues in Europe, Asia and America, including the Palacio de Bellas Artes in Mexico, Teatro Real de Madrid in Spain, Termas de Caracalla in Rome, Konzerthaus Berlin in Germany, Kennedy Center in Washington, Harris Theater in Chicago and the prestigious Rosenblatt Recitals in London.

He participated in the documentary Rolando Villazón to Mexican Dream aired on ARTS CHANNEL, accompanying the renowned tenor. It was presented at the 2010 Shanghai World Expo, China; also as soloist of the Chamber Orchestra Kremlin, of Moscow; and played for the King and Queen of Spain Juan Carlos I and Sofia of Greece.

He has been pianist of the Opera of Cuba and the Opera of Fine Arts in Mexico with more than ninety titles in repertoire, collaborating with super stars such as Plácio Domingo, Luciano Pavarotti, Anna Netrebko, among other celebrities.

His phonographic production includes two albums with the famous tenor Javier Camarena and one with the mezzo-soprano María Luisa Tamez.

He currently teaches Masterclass of interpretation and style of Italian opera, in Mexico, combined with his work as recitalist next to great figures of the opera, and his important facet of arranger and musical producer.