CALLEJA AND VERDI

JOSEPH CALLEJA, tenor, AL BUSTAN FESTIVAL ACADEMY ORCHESTRA, GIANLUCA MARCIANÒ, conductor

Wednesday 13 February at 8.30pm

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Verdi Opera arias

Joseph Calleja, Tenor

“Only one lyric tenor on the scene today has the honeyed tone and ingratiating style to make comparisons to Pavarotti and Gigli seem serious, and it is Calleja, the man from Malta, who … is now maturing into an artist of the first rank.”
– New Yorker

Blessed with a golden-age voice that routinely inspires comparisons to “legendary singers from earlier eras: Jussi Björling, Beniamino Gigli, even Enrico Caruso” (Associated Press), Maltese-born Joseph Calleja has quickly become one of the most acclaimed and sought-after tenors today. His expansive discography and frequent appearances on the world’s leading opera and concert stages prompted NPR to hail him as “arguably today’s finest lyric tenor,” and led to his being voted Gramophone magazine’s 2012 Artist of the Year. A Grammy-nominated recording artist for Decca Classics, he has released five solo albums for the label.

Calleja was only 19 when he made his operatic debut as Macduff in Verdi’s Macbeth at the Astra Theatre in Malta, shortly before winning an award in the Hans Gabor Belvedere Competition that launched his international career. He went on to win the 1998 Caruso Competition in Milan and was a prize winner in Plácido Domingo’s Operalia in 1999, the year of his U.S. debut at the Spoleto Festival. Since then Calleja has gone on to appear with the world’s great opera companies.

Joseph Calleja’s 2018-19 season starts off with his role debut al Rodolfo in Verdi’s Luisa Miller at the Hamburg State Opera. One of his signature roles – Mario Caravadossi (Tosca) – takes Calleja to the Metropolitan Opera in New York and to a new production at the renowned Festival in Aix-en-Provence. Further, he stars as Pollione (Norma) and Don José (Carmen) at the Bavarian State Opera, as Edgardo (Lucia di Lammermoor) and Don José at the Deutsche Oper Berlin as well as Duca (Rigoletto) at the Vienna State Opera. Likewise, at the Vienna State Opera, Calleja will have his recital debut on the grand stage, followed by his recital debut at the Naples Opera in Florida. Further concert engagements take him to Aalborg (Denmark), Vilnius, Krakow and to the Budapest Spring Festival.

The former season was highlighted by a new production of Norma in New York, as well as his return to the Opera Monte Carlo, the Bavarian State Opera Munich, the Deutsche Oper Berlin and London’s Covent Garden. In the spring of 2018 he toured extensively throughout Europe, including London, Birmingham, Copenhagen, Baden-Baden, Bremen and Grafenegg in Austria.

Highlights from recent operatic seasons include the title characters in new productions of Faust and Les Contes d’Hoffmann at the Metropolitan Opera; Alfredo in La traviata opposite Renée Fleming, Adorno in Simone Boccanegra alongside Plácido Domingo, and another turn in the title role of Faust at Covent Garden; new productions of La bohème, opposite Anna Netrebko, and La traviata at the Lyric Opera of Chicago; Maria Stuarda alongside Joyce DiDonato in concerts with the Deutsche Oper Berlin; and a new staging of Rigoletto at the Bavarian State Opera. He made his role debut as Riccardo in a new treatment of Verdi’s Un ballo in maschera at the Royal Opera House Covent Garden in London, as Don José in Carmen at Oper Frankfurt in a staging of Barrie Kosky, as Cavaradossi in Tosca at Grange Park Opera and portrayed Ruggero in Rolando Villazón’s staging of Puccini’s La rondine at Deutsche Oper Berlin.

Calleja appears extensively in concert throughout the world, singing with leading orchestras at summer festivals, including Salzburg, and in outdoor concerts in front of tens of thousands of people in Malta, Paris, and Munich. He was the featured soloist at the 2011 Nobel Prize Concert in Stockholm, was selected by the Maltese president to perform a private concert for Queen Elizabeth II and Prince Philip, and toured Germany with soprano Anna Netrebko. After co-headlining 2012’s Last Night of the BBC Proms, Calleja returned to the London festival in 2013 for a gala performance at the Royal Albert Hall and an open-air concert marking the Last Night of the Proms in Hyde Park. As a recitalist, he has performed in Japan and throughout Europe.

As an exclusive Decca Classics recording artist since 2003, the tenor boasts an extensive discography that includes complete operas and concert repertoire, as well as five solo albums: The Golden Voice, Tenor Arias, The Maltese Tenor, Be My Love: A Tribute to Mario Lanza, and Amore. His videography enjoys similar success, and it was his portrayal of Alfredo in the Royal Opera House’s DVD/Blu-ray release of La traviata, in which he co-stars with Renée Fleming and Thomas Hampson, that earned Calleja his first Grammy nomination. His rendition of the Verdi aria “La donna è mobile” is featured on the soundtrack of No Reservations, a 2007 motion picture starring Catherine Zeta-Jones and Aaron Eckhart. He made his Hollywood debut in 2014’s The Immigrant, in which he portrays the legendary tenor Enrico Caruso in a cast with Marion Cotillard, Joaquin Phoenix, and Jeremy Renner.

Calleja’s newest album VERDI was released by Decca Classics in February 2018 and features a lovely selection of dramatic tenor repertoire by Verdi, including arias from Aida, Don Carlo, La forza del destino and Otello, to name but a few. It was highly acclaimed by the press:

“Joseph Calleja with his ‘Verdi’ album is in outstanding form aptly displaying his progress as one of the finest tenors on the stage today.” (musicweb-international)
“Any doubts about the most winning lyric “Italian” tenor since Pavarotti tackling this heavy Verdi repertoire are largely dispelled by the vitality of his sunny sound and the clarity of his diction.” (The Sunday Times)
“Stylistically and temperamentally, he seems completely at home in this repertoire, never afraid to add faintly old-school expressive effects, though nothing ever seems contrived or histrionic.” (PRESTO Classical)

Calleja has been profiled in New York’s Wall Street Journal and London’s Times, among other newspapers, and has graced covers of magazines such as Opera News. An increasingly frequent face on television, he has appeared on such programs as CNN’s Business Traveller, BBC Breakfast, and the Andrew Marr Show, and been featured in numerous internationally televised concerts. In 2013, he made his U.S. network television debut performing in a Kennedy Center Honors tribute to preeminent American soprano Martina Arroyo on CBS.

Born in Malta in 1978, Joseph Calleja began singing at the age of 16, first in his church choir and then in formal training with Maltese tenor Paul Asciak. One of his native land’s biggest celebrities, Calleja was selected to serve as Malta’s first cultural ambassador in 2012, and earlier this year he was named a brand ambassador for Air Malta. Calleja recently teamed up with Malta’s Bank of Valletta to form the BOV Joseph Calleja Foundation, which will serve to help children and families in need. Calleja is the recipient of the 2014 International Opera Awards’ Readers’ Award.


Gianluca Marcianò, conductor

Young Italian conductor Gianluca Marcianò is Artistic Director at the Al Bustan Festival in Beirut.  Previous posts have included the Tbilisi State Opera & Ballet Theatre in Georgia where he conducted La Forza del Destino, Cavalleria Rusticana, Nabucco, Attila, Il Trovatore, Mitridate, Re di Pontoand Aida, as well as concerts with Andrea Bocelli in Georgia.

Highlights within the 2015/16 season include a return to the Opera de Oviedo in October to conduct a new production of Nabucco by director Emilio Sagi, which tours to Gijon and Pamplona. In December, Marcianò will conduct Verdi’s Ernani at the Lithuanian National Opera and Ballet Theatre.

Much of Marcianò’s operatic work in the UK has centred on English National Opera with Jonathan Miller’s production of La Bohème and Anthony Minghella’s production of Madama Butterfly as well as Grange Park Opera where he has conducted productions of Eugene Onegin, Samson et Dalila, Madama Butterfly, Tosca, I Puritani, Queen of Spades and La traviata as well as a gala concert with Simon Keenlyside and the Bournemouth Symphony Orchestra.  He has also conducted at Longborough Festival Opera (Die Zauberflöte, Le Nozze di Figaro, Don Giovanni, Cosi fan Tutte and La traviata) and the Chelsea Opera Group (Manon Lescaut, La traviata, La Favorite and Alzira).

Marcianò also had strong ties with the opera houses in Zagreb, Minsk, Sassari and Prague. During his time in Zagreb as the main conductor, he conducted Nabucco, La traviata, Turandot, Carmen, La Cenerentola and Il Barbiere di Siviglia. In Minsk, he has performed Il Barbiere di Siviglia and La traviata, and at the Teatro Verdi in Sassari, La Pietra del Paragone, Poulenc’s Les mamelles de Tirésias and the Italian premiere of Debussy’s La Damoiselle Elue. In 2011 he conducted La traviata at the Prague State Opera.

On the concert platform, Marcianò has worked with instrumentalists such as Gautier Capuçon, Arabella Steinbacher, Anna Tifu, Alexandra Soumm, Steven Isserlis, Boris Andrianov, Maria Joao Pires, David Geringas, Khatia Buniatishvili, Sergei Krylov, Nina Kotova, Giovanni Sollima, Sergei Nakariakov and Denis Kozhukin. His recent work includes concerts with the George Enescu Philharmonic and the Lebanese Philharmonic Orchestra, with whom he performed Mahler’s Symphony No.1 in 2011. He has a close relationship with the English Chamber Orchestra, opening their 2011/12 London season in a programme including Mozart’s Symphony No.39 and Prokofiev’s Violin Concerto No.2 at the Cadogan Hall. Other notable orchestras which Marcianò has conducted include the Moscow City Russian Philharmonic, the BBC Concert Orchestra, the Bournemouth Symphony Orchestra, the English National Opera, the Oviedo Filarmonia, the Sarajevo Philarmonic Orchestra, the Orchestra di Padova e del Veneto, the State Youth Orchestra of Armenia, The World Orchestra, the Macau Orchestra and Beijing Symphony Orchestra.

  • 9th appearance at Al Bustan International Festival of Music and the Performing Arts